evaluation

As to criteria, dialog clearly didn't have anything particular to be pointed towards, so the script was a simple region to take a shot at. However the shotlist and storyboard came in more valuable as it composed and break every scene into point by point fragments. My part in the gathering was to draw and make the story board and to likewise film and direct the creation. Our qualities in our film I believe was the lighting utilizing an obscurely lit space for an outline impact was extremely traditional and fitting for a secretive cross examiner. All the more advantageously was additionally the very much ventilated territory, permitting no static or some other unsettling influences of sounds that a mouthpiece can without much of a stretch get. Shots astute, we thought of various distinctive camera points, from side, to front, to back. We likewise utilized an over-the-shoulder shot which permitted us to do heaps of reverse shots from distinctive edges. Altering insightful, non-diegtic hints of a to some degree upbeat music that you wouldn't regularly relate in a cross examination film was utilized, just to make a juxtaposition, a sudden solid differentiation as a grab cross examination is most likely not what the gathering of people were anticipating, 

The lighting itself was originating from underneath which permitted us to have a darker feel to the scene but also keeping the scene and the character visible. I additionally trust that we had a decent utilization of cinematography, as I think we utilized both the panning exceptionally well.  Additionally, we utilized an extensive variety of close medium shots when the villain was walking behind the victim. There was an assortment of enigma codes such as who are these people and why do they want this person?